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I'm
sitting in the dark, watching Travis (one of our dive masters)
give us a slideshow on native Hawaiian marine life. After
the presentation, we will to enter the water for our fifth
dive of the day (a night dive). There are most definitely
more cameras on board than the Aggressor staff has ever seen,
and one of the dining tables has been taken over by battery
chargers, computers, and a tangle of wires. The crew is exceptionally
nice and professional, and the facilities are fantastic. As
expected, Jim has been amazing us with slideshows of his photography
and with his ability to capture great images regardless of
what kind of camera is in his hand. All of the guests are
great! Because the majority of us are digital underwater shooters,
there are a fair number of techies among us. In fact, the
words "inverse kinematics" were uttered at dinner
(by David, I might add), and no one seemed to think that it
was strange (including me). :)
We
dove Rob's Reef and Maruka Bay during the day, giving both
film and digital shooters a chance to get their cameras wet
for the first photo contest, which will hopefully be held
tonight after the night dive. As expected, those of us shooting
digital have been playing with our images in between dives,
while film shooters have just received their first rolls of
developed slide film. As always, I was excited by the instant
gratification that digital photography offers -- at least,
until Jim pointed out that had he been shooting film exclusively,
he would be drinking a margarita by the hot tub instead of
tapping away on his Powerbook G4 at the dining table. :)
I have
been playing around with Germany UK's Canon D30 housing, and
my initial impressions are a mixed bag. I love that it is
now possible to shoot underwater with a responsive digital
camera that has virtually no shutter-lag, but the housing
itself has a few ergonomic problems. We weren't sent a bracket
or a handle, so we hacked one together using one of Dave's
extra brackets, a screw, some washers, and a zip-tie. The
right-hand grip is still a little too far away from shutter
lever, but it's better than trying to hold on to the slippery
aluminum housing itself. One omission that I think is very
unfortunate is the omission of the exposure
lock button. Using the exposure button for flash exposure
lock is necessary if the flash is on and metering area is
not centered in the viewfinder. Otherwise, the area of flash
coverage is likely to be completely overexposed. Speaking
of flash coverage, the Canon 550EX flash's coverage (it is
contained in its own housing) isn't quite wide enough to be
useful for anything other than macro shots. Unfortunately,
we weren't sent a port that can accomodate anything other
than Canon's 17-35 2.8L lens, so it's been extremely difficult
so far to get proper flash exposure and coverage. Compounding
the problem, no flash controls can be accessed from the outside
of the housing. We may attach a diffuser from another strobe
to the flash housing tomorrow to see if it helps coverage.
Maybe Jim can work his magic and get some good shots with
it.
- Eric Cheng, 7:43pm, Novermber 4th, 2001
We're
finally ready to upload today's photos of the day. The night
dive proved to be spectacular, and everyone except for our
fearless dive master saw spanish dancers. He did, however,
find a Hawaiian spotted flatworm and then save me from the
painful sting of urchin spines, which I appreciated very much.
Due to first day time constraints and the lag of getting film
processed and scanned, there weren't enough photos ready for
a proper slide show (and thus, any sort of real contest),
but we managed to scrounge up three shots for presenting.
See you tomorrow!
- Eric Cheng, 11:00pm, Novermber 4th, 2001
>>
continue on to day 2
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