Not got the blues? Many underwater photographers assume that if they capture Raw files, the colors can be corrected dugong post-processing. While this is somewhat true, Alex and Adam discuss why getting color right in camera may be a better option.
Wetpixel’s Adam Hanlon presents a field review of the Lastolite EzyBalance color balance target for scuba divers. This is described as a tool for adjusting color balance and exposure settings in both still and video cameras. The collapsible square is made of a waterproof wipe-clean surface material sewn to a sprung steel rim, and has a white side and an 18% grey balance target side. Join Adam as he uses it underwater.